Well, I am at it again reading China Mieville. I’d stopped reading Perdido Station, but I could not get the dark brain-sucking flying things out of my head. So I found it buried beneath the easily-two-hundred unread books in my kitchen. Yes, my kitchen as I ran out of space in my hallway, my bedroom as well as in my meditation room. I also picked up Mieville’s newest book The City and The City as began reading that too. I lost them book in my bed-also filled with at least twenty unread/half-read books, articles and ‘zines. What is the fucking need to bury myself alive with books. Christ, I just had an ephiphany. I am buried alive. And forgot. Now I am remembering. I was in a library when it collapsed. And there I still lie. I am under the pressure of a thousand books all of various genres. I keep buying books and recreating the stress in the hopes that I will jog myself out of my daze, wake up and try to get out from under the paper tomb I am in. I suddenly feel relieved because I am merely trapped under a collapsed library. I’d prefer that to the reality that I actually have to READ all the books, newspapers and magazines I keep buying.
twenty-seven books on the floor next to me. Just in case. In case of what I am not sure. A moment without input, although I do not know about this as I spend long periods of time in the dark. Doing nothing, but that is not true as I journey here and meet many beings. Books are here too. Or rather notebooks about my head. A through X, they are filled with articles, mostly from newspapers, on murder, cults, forensics and neurology. And little tidbits of one thousand miles of frogs that occasionally manifest in China. These latter events create anxiety as they are outside my understanding and my rules of nature. The creation of books or at least characters occurs here in the dark. At least now. Before I’d pull the blinds, then the curtains, put in earplugs and listen to music playing on my CD as loud as I dared. Mostly the soundtrack to
. I have moved on to
. Most go. That damnable cash and survival thing. Will tell more of the characters (or entities) here in the dark, but before you go, a little more on Bauhaus the architectual movement (from Wikipedia):
BerlinAlthough neither the Nazi Party nor Hitler himself had a cohesive architectural ‘policy’ in the 1930s, Nazi writers like Wilhelm Frick and Alfred Rosenberg had labelled the Bauhaus “un-German” and criticized its modernist styles, deliberately generating public controversy over issues like flat roofs. Increasingly through the early 1930s, they characterized the Bauhaus as a front for Communists, Russian, and social liberals. Indeed, second director Hannes Meyer was an avowed Communist, and he and a number of loyal students moved to the Soviet Union in 1930.
Under political pressure the Bauhaus was closed on the orders of the Nazi regime on April 11 1933. The closure, and the response of Mies van der Rohe, is fully documented in Elaine Hochman’s Architects of Fortune.